- wikipedia
- 'The Culture of Fear'
- Noam Chomsky
- 'The Culture of Fear', 1998
- Barry Glassner
- 'The Culture of Fear: Why Americans Are Afraid of the Wrong Things'
- reason.com
- 'The Culture of Fear: Dealing with cultural panic attacks'
On the Culture of Fear
Cinema Scripts Online
click here for a list organized by Director and Actor, or might I suggest:
Grapes of Wrath, 1940
based on a novel by John Steinbeck -------------- (see trailer on imbd)
directed by John Ford, with Henry Fonda, Jane Darwell, John Carradine
Citizen Kane, 1941
written by Herman J. Mankiewicz and Orson Welles -- (trailer on imbd)
directed by Orson Welles, with O.W., Joseph Cotten, Dorothy Comingore
On the Waterfront, 1954
written by Budd Schulberg -------------------------- (see trailer on imbd)
directed by Elia Kazan, with Marlon Brando, Karl Malden, Lee J. Cobb
Rebel Without a Cause, 1955
written by Stewart Stern ---------------------------- (see trailer on imbd)
directed by Nicholas Ray, with James Dean, Nathalie Wood, Sal Mineo
click here for a list organized by Director and Actor, or might I suggest:
Grapes of Wrath, 1940
based on a novel by John Steinbeck -------------- (see trailer on imbd)
directed by John Ford, with Henry Fonda, Jane Darwell, John Carradine
Citizen Kane, 1941
written by Herman J. Mankiewicz and Orson Welles -- (trailer on imbd)
directed by Orson Welles, with O.W., Joseph Cotten, Dorothy Comingore
On the Waterfront, 1954
written by Budd Schulberg -------------------------- (see trailer on imbd)
directed by Elia Kazan, with Marlon Brando, Karl Malden, Lee J. Cobb
Rebel Without a Cause, 1955
written by Stewart Stern ---------------------------- (see trailer on imbd)
directed by Nicholas Ray, with James Dean, Nathalie Wood, Sal Mineo
F for Fake _ Orson Welles, 1974
"F for Fake" (French: Vérités et mensonges) is the last major film completed by Orson Welles, who directed, co-wrote, and starred in the film. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a fast-paced, meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Loosely a documentary, the film operates in several different genres and has been described as a kind of film essay.
Far from serving as a traditional documentary on Elmyr de Hory, the film also incorporates Welles's companion Oja Kodar, notorious "hoax-biographer" Clifford Irving, and Orson Welles himself, in an autobiographical role.
Far from serving as a traditional documentary on Elmyr de Hory, the film also incorporates Welles's companion Oja Kodar, notorious "hoax-biographer" Clifford Irving, and Orson Welles himself, in an autobiographical role.
from wikipedia
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